Bollywood news reviews
Where Bollywood Comes Alive
Nov 23rd
Sangeet Radio is a Radio station in Houston USA dedicated for Pakistani and Indian People living in united States of America.
according to them
“SANGEET means “Pleasant Melody.”
“SANGEET RADIO is the most popular radio program of approximately 450,000 strong South Asian Community in Houston, since its inception in May 1997. It is the longest operating show of our progressive community”
You can Listen online Sangeet Radio
‘Bodyguard’ Salman’s new fitness regime
Aug 22nd
By Bollywood Hungama News Network, August 22, 2011 – 12:23 IST

Salman Khan is sweating it out while juggling between the promotions of Bodyguard and the shooting of Ek Tha Tiger. He is among those actors in Bollywood who always looks his physical best and works very hard to keep his body fit by exercising daily. While Salman is working on promotions of Bodyguard, at the same time he is engaged in shooting for his next film Ek Tha Tiger where he stars opposite Katrina. This has left Salman with almost no time to exercise. To remain fit, this time Salman has come with a time saving alternative to his workout – regular cycling!
A source reveals, Salman does not believe in missing out on his workout sessions. But with his blocked schedule, he has no time to exercise. The only time he finds from his hectic schedule is while traveling from promotional events of Bodyguard to the sets of Ek Tha Tiger. The maverick actor sweats it out by cycling from one location to the other while utilizing the only time he has for exercise in the day.

Cycling for a few hours in the day has become an essential part of his routine and Salman is indeed paying good attention to his body.
Bodyguard is Salman’s and Kareena’s upcoming Eid release. It will be the third Eid release of Salman after blockbusters like Wanted (2009) and Dabangg (2010).
BOLLYWOOD HUNGAMA.COM
Blood Money to release during Valentine’s Day
Aug 22nd
By Joginder Tuteja, August 22, 2011 – 11:47 IST
For Karan Johar, life is a dream about love and roses. On the other hand, for Bhatt brothers, life comes with its own share of grief and guns. This can pretty much be seen in their approach towards their films that are arriving around theValentines Day next year. While Karan Johar has almost finalised plans for his (tentatively titled) romantic comedy Short Term Shaadi to release on the weekend leading to the day when lovers pledge togetherness, Mukesh Bhatt and Co. would be arriving with their Blood Money on the following weekend.
“Since 14th February is a Tuesday, it falls right in the middle of the two weekends. So while the Kareena Kapoor-Imran Khan starrer is being planned for 10th February arrival, Bhatts’ dramatic tale with Kunal Khemu and Amrita Puri (of Aisha fame) would be hitting the screens exactly a week later on 17th February. It is obvious that bothfilmmakers have their own different ways of celebrating the day of love”, an industry insider comments.
It wasn’t planned this way though at least for Karan. Though earlier he had plans to bring Short Term Shaadi in the current year, he is said to have moved it ahead as the film’s lead actress Kareena Kapoor was over-occupied with other films like Bodyguard, Ra.One, Agent Vinod and (rumoured to be titled) Dhuaan. Since KJo’s Agneepath arrives in January, he felt that the weekend around Valentines Day was best suited to bring his romantic tale.
On the other hand, Bhatts have planned it all well in advance for Blood Money and are purposely bringing their tale of lust for money, power and togetherness around Valentines Day. After the success of Murder 2, Bhatts had considered naming the film as Jannat 2 to take advantage of a successful franchise. However, they dropped it forBlood Money, hence giving their film a more violent streak. To be directed by first timer Vishal Mahadkar, the film is said to be a coming-of-age tale of a young man who pursues a dream job which unfortunately turns into a nightmare.
When contacted, Mukesh Bhatt confirmed the release timeline of the film and admitted that it was all well intentioned. He said, “There is more to life than just love. There is a lot of drama here as well and this is what Blood Money shows by amalgamating both the genres. We want to present a different side of love next Valentines.”
BOLLYWOOD HUNGAMA.COM
Aarakshan suffered becuase of the ban-Prakash Jha
Aug 22nd
By Subhash K. Jha, August 22, 2011 – 10:39 IST
Prakash Jha, rejoicing in his victory over the lift of the ban on Aarakshan in Uttar Pradesh, has decided to make a film on creative freedom and the efforts to muzzle the artiste through extra-constitutional means.
The honourable Supreme Court’s decision to lift the ban imposed on the filmAarakshan by the Mayawati government is, according to the director Prakash Jha historic. However, there is no sense of triumph in the victory, since the failure to release the film in UP at the time of its release on August 12 resulted in huge losses of revenue.
Says Jha, “Even this Friday on August 19, after the court’s verdict there was no way we could release the film. We opened all over UP only on Saturday morning to full houses in Varanasi and other places. But at what cost? The film’s collections suffered a big dent because of the ban. Why must we suffer this kind of humiliating authoritarianism?”
The director however is happy he fought the ban. “There’s a lesson here for all filmmakers. We should not buckle under pressure. My film is not the first to face hurdles from state governments after being censored by the CentralBoard of Certification. The film industry needs to collectively fight pressures from the outside.”
Jha’s films have faced constant hurdles before and after release. “But iss bar thoda zyada ho gaya.”
Jha’s film on the whole experience of battling various organizations a state governments for the release ofAarakshan has inspired a script on the subject.
“Why are we filmmakers constantly subjected to efforts to stifle our voices? I was provoked enough to go to the Supreme Court. A lot of filmmakers just succumb to pressure and make whatever adjustments are required of them. We shouldn’t allow this to happen.”
BOLLYWOOD HUNGAMA.COM
Kalki’s reel life tragic tale gets replicated in real life
Aug 22nd
By Joginder Tuteja, August 22, 2011 – 11:24 IST
Truth is stranger than fiction. The adage has proved all over again, what with Kalki’s upcoming film That Girl In Yellow Boots bearing an eerie similarity with the case of a real life Delhi girl who has been reported to be loitering on the streetsof Mumbai. Just like Kalki’s character who plays a homeless immigrant in Mumbai and finds herself in seedy bylanes while being constantly threatened by abuse, even this Delhi girl has caught media attention as she is a vagabond who, despite being well educated, is fending off Mumbai streets.
“It is indeed shocking because the similarities are too obvious to be denied. This girl who calls herself Rochelle is often seen in skimpy outfits while wearing shorts, branded T-shirts and an expensive jacket. She refuses to divulge much details about her and gets really annoyed if someone asks about her whereabouts. Ever since her story has reached media, she has become even more irritated. She roams around the streets of Delhi with gay abandon and is homeless. However when you strike a conversation with her, she comes across as educated and belonging to a well to do family”, says a source.
Kalki’s character of Ruth in That Girl In Yellow Boots is on similar lines as well. She plays a UK citizen in the film who finds herself on the streets of Mumbai and stays illegally there. Obviously fluent in English, she comes across as a normal human being though there is a mystery surrounding her as she has no friends or family to look up to in the city.
“Their intention of staying in the city is different though”, the source adds, “Rochelle says that she is an aspiring model and an actor who is in Mumbai to make it big in the world of glamour. Also, she doesn’t wish to go back to her family in Delhi and is unrepentant about her decision. On the other hand, Kalki’s character is in Mumbai for search of her father though just like Rochelle, she doesn’t regret her decision and wants to go back to UK only after her mission is accomplished.”
Surprisingly, That Girl In Yellow Boots was completed almost two years ago when Kalki shot for it immediately after her debut effort Dev D. After making the round of festival circuits, this Anurag Kashyap directed film is now seeing an international release for itself.
Though Kalki is not aware about Rochelle, she confirms that in the film she is playing an illegal immigrant from UK to India. “I play a girl who has over stayed for a long time in Mumbai and is now finding herself in the seedy corners of Mumbai. She is quite stubborn about searching for her father and finds herself in a dangerous situation where she is under constant threat of being used and abused”, she says.
Talk of that thin line diminishing between real and reel life.
BOLLYWOOD HUNGAMA.COM
July: The new lucky month for Ajay Devgn
Aug 22nd
By Joginder Tuteja, August 22, 2011 – 10:34 IST
After ruling Diwali for three years in succession (Golmaal 3, All The Best, Golmaal Returns), looks like Ajay Devgn is now making the month of July his own. Call it superstition, eyeing the right release period or sheer coincidence but the superstar now truly believes that Summer of every year is turning out to be quite lucky for him. This is the reason why now he has fixed the release of his next biggie Bol Bachchan in July 2012.
“Yes, the release of Bol Bachchan has been confirmed now. It would arrive on 6th July next year”, informs a trade source, “Ajay would also be co-producing the film. The shooting begins later this month and the film has approximately one full year for itself before it hits the screens.”
Now this should pretty much translate into a lucky streak for Ajay since he recently saw the biggest solo success ever of his career with Singham that had released in July this year. All set to cross the Rs.100 crores mark, this Rohit Shetty film arrived a year after Ajay’s last big success, Once Upon A Time In Mumbaai, which had again released in the month of July (of 2009).
“In the recent years, the only July release of Ajay which hasn’t done well is Mehbooba. It had arrived in July 2008 but failed since it was a delayed release. However, let’s not forget that his Omkara, which had arrived in July 2006, had seen excellent critical acclaim coming its way and stays on to be a landmark film for Ajay. Of course Ajay has taken a note of this trend and is now making conscious effort to bring his films during this time period of the year”, the trade source continues.
For Rohit Shetty too this is a breather of sorts because he would now be in a far lesser pressure situation that he was in during Singham. Due to July deadline given to him, he couldn’t take a breather after Golmaal 3 last year and had to finish and deliver Singham in four months flat.
“For Bol Bachchan though, I would be working at a relatively easier pace”, Rohit had mentioned in an earlier conversation, “There is good time to make this film and thankfully I won’t be fighting any aggressive deadlines.”
Well Rohit, with your ‘jodi’ with Ajay Devgn continuing to see a constant upwards progression film after film, you would be fighting the battle of huge expectations for sure!
BOLLYWOOD HUNGAMA.COM
Ali Zafar-Aditi Rao team up for London, Paris, New York
Aug 22nd
By Bollywood Hungama News Network, August 22, 2011 – 11:00 IST
Fox Star Studios announced its association with Rose Movies for a new film titledLondon, Paris, New York, produced by Goldie Behl and Shrishti Arya which also marks the directorial debut of Anu Menon.
“We are committed to working with the best talent in the business and are delighted to be working with Goldie and Shrishti on London, Paris, New York. It’s an amazing script that we are all very excited about. With comedies driving audiences into the theatres, this romantic comedy is the film to watch out for in 2012,” said Vijay Singh, CEO Fox Star Studios India
“Fox Star Studios has established a strong presence in the Indian Film industry in a very short time and have ably demonstrated their marketing and distribution capabilities – we are extremely excited to partner on our next project with people who are like minded and have the vision to take the film places,” said Goldie Behl, producer, Rose Movies.
“In our film we have a new cast of immensely talented actors – Ali Zafar (of Tere Bin Laden fame) and Aditi Rao, who we are sure will definitely appeal to the youth in this coming of age love story and thereby ably demonstrating our commitment to nurture fresh talent in the industry,” added Mr. Singh.
“The film is completely shot internationally; we have just completed the London schedule and are now going to Paris and New York. We are happy to be working with Anu Menon who with her background of London Film School brings to the project the right balance of understanding emotional appeal in an international setting,.” says producer Shrishti Arya.
Capturing the angst of the young twenties London, Paris, New York is the story of Nikhil and Lalitha two completely different individuals who are drawn to each other in spite of their differences or perhaps because of it. The film follows their journey of love as they meet in London, Paris and New York for a night in each city. The film is a coming of age love story mirroring 3 states of love and brings back the wit into Bollywood’s romantic comedies. The film is currently in production and is slated for release in first quarter of 2012.
BOLLYWOOD HUNGAMA.COM
The Godfather is the Geeta for all actors-Deepak Dobriyal
Aug 22nd
By Devansh Patel, August 22, 2011 – 13:22 IST
The first time my eyes met that of Deepak Dobriyal’s on screen was in Maqbool. After a couple of years he hit back with Omkara and that was it. He carried his first Filmfare trophy home and thought, “This is it! My hunger for awards has come to an end”. Well, once again the difference was pretty evident, that between stars and an actor. Then followed the many ‘worthy of a nomination’ roles in the form of Gulaal, Tanu Weds Manu and the recent Not A Love Story. Juggling his life between his latest release and his newly born baby boy Sid, Deepak Dobriyal is living life as it comes. He is a man who remains implacably resistant to rules because he does it his way, his style. He is charming, fascinating, funny, strangely vulnerable and completely original in every way. His wife Lara is busy babysitting but still finds time out to cook some delicious toasted sandwiches for me. Deepak too isn’t far behind when it comes to hospitality. He makes me a nice cuppa ginger tea and one for himself, sits on his low seated wooden chair, takes his nicotine out and lights it, takes a drag and pauses as I see the smoke come out of his mouth that forms into a sentence – ‘talk to me, I’m ready now’. UK’s Harrow Observer columnist andBollywood Hungama‘s London correspondent takes you into the mind and heart of one of India’s most promising actor where he radiates his passion for cinema, theatre, Marlon Brando, Meryl Streep, The Godfather, Vishal Bhardwaj, Satya, Company, Shiva, RGV and his mother who was instrumental in making him what he is today – an actor par excellence.
“My passion for Bollywood started with my mother taking us to the cinema and seeing her different emotions”
My father’s office was four to five kilometres away from our house in Delhi. We were very small then. My mother was very fond of films and every Friday she used to take us for movies when I used to return from school with my brother. We’ve kept this little secret of ours tight till she passed away in 2007 and now it’s no more a secret. My passion for Bollywood started with my mother taking us to the cinema, her crying while seeing a scene, her laughter, her different emotions, etc.
“I’ve done theatre with Arvind Gaur in Asmita for six years and for a year with Pandit Sharma in Act One”
I used to do theatre in Delhi for seven years. My mother thought that theatre has to do something with Bollywood. I never used to tell her quite as much though. I’ve done theatre with Arvind Gaur in Asmita for six years and for a year with Pandit Sharma in Act One. Theatre and Bollywood are two diverse mediums for me.
“I am one of those people who don’t go to his vanity van after his shot is over. I sit there and observe”
Working on a film is like working together with your family. I am one of those people who don’t go to his vanity van after his shot is over. I sit there and observe. I’ve learnt that from theatre where I used to help in every department – from helping co-stars to lighting to set changing, etc. Theatre is always a group effort and I hope that people put the same effort in making films too. At least I try.
“My favourite play is Final Solutions based on the communal riots”
My favourite play is ‘Final Solutions’ where I enacted the role of Javed. I’ve got a standing ovation wherever I’ve performed. The play is based on communal riots. I’ve also liked ‘The Good Person of Szechwan’ and a play in Hindi titled ‘Tughlaq’.
“I feel that if I had seen The Godfather and done theatre, I may have come out as a better actor”
My all time favourite movie is The Godfather. It’s the Geeta for all actors. I’ve seen it eight to ten times. I just saw the film seven to eight years ago. It’s weird but before watching The Godfather, I used to like cinema such as Desperado that had action, Titanic that had a great love story, Mask that was a laugh riot, etc. Any movie that audiences could whistle to was defined as my grammar for movies till I witnessed The Godfather. I was amazed to know that this was what filmmakers used to think thirty years ago. What marvellous acting! Sometimes I feel that if I had seen The Godfather and done theatre, I may have come out as a better actor. I’d love to play the role of Don Vito Corleone from The Godfather that was essayed by the great Marlon Brando. He is my favourite actor and Meryl Streep is my favourite actress.
“Indian films aren’t getting influenced, they get copied and that’s the problem”
The difference between the West and India as far as movies are concerned is the culture. We get influenced by not only characters but also the infrastructure and other elements from the films made in the West. We don’t have faith in our thoughts and that’s the main problem. To think over our thought is the toughest thing to do. But come to think of it, our Indian society is too complex. To be influenced and to copy are two different things. Indian films aren’t getting influenced, they get copied and that’s the problem because to get influenced is to find your own way. Indian films need to find their own way, it’s time.
“My RGV is Vishal Bhardwaj”
I came to Mumbai because of Ram Gopal Varma. I thought that he would give me a role because the only director in those times who gave preference to talent over stars was RGV. His ‘Factory’ days were the ones every struggling actor, director, editor, etc. recalls even today. I used to give my photographs to RGV’s office but no one used to get back to me. This continued for three years and I gave up. Then Vishal Bhardwaj called me and offered meOmkara. My Ramu is Vishal Bhardwaj. Satya, Company, Shiva are my favourite RGV films. I still recall twenty five hands over me during my school days as there was a stampede buying tickets for Shiva.
Watch this space for Part 2 of interview with Deepak Dobriyal
BOLLYWOOD HUNGAMA.COM